Monday, August 25, 2014
For Butler at Peninsula Players Theatre, we needed a canvas map to hang on the wall of the Civil War General's office. The set designer, Jack Magaw, provided the image and I had it printed on nice paper at Office Max, but it was still just paper. I needed it to be stronger, especially since it was going to be manipulated by the actors nightly.
I purchased a piece of "duck cloth" canvas and used spray adhesive to attach the paper to the canvas, then went to the costume shop to borrow their serger sewing machine and serge the two layers together.
Here is a close up of the two layers serged together from the front,
and on the back side. I am unsure of whether the method would have worked as well if I had printed the map on lower quality paper, but with the higher quality stronger paper, the sewing of the two layers together resulted in clean strong edges that I am confident will last throughout the run of the show.
To hang the map we purchased two 3/4 inch dowels and used the table saw to cut a groove into each.
We filled the gap with wood glue, slid the map into the slot, and then added brad nails to secure it in place.
The brad nails were a bit too long, so once the glue was dry we took the map over to the grinder to smooth off the ends on the back.
Here is the final piece laid out on the floor, ready to be hung on the wall of the set, and hopefully looking like it is ready to be rolled up and taken onto the battlefield.
And for good measure, and image of the canvas back side of the map too.
Wednesday, August 20, 2014
For Butler at Peninsula Players Theatre (Opening tonight), we need to fill multiple book shelves. I was lucky to find a good number of books in stock and even luckier to come across a Goodwill store selling sets of nice encyclopedias for $15 each (I bought 4 sets). Some of the sets looked nice and could pass as period, but two sets looked much more modern.
What we really wanted for the show was a nice set of law books, but those are more expensive and hard to come by. Solution= turn the modern looking encyclopedias into law books, kind of like these.
The first step was covering the spines of the books with Muslin. We used used a paint brush and some slightly thinned Elmers Glue for this.
After the glue was dry we trimmed the muslin to a clean edge and brushed on a bit more glue to smooth them.
We used a small brush to cut in around the edges.
Then painted the entire spine of the book. We decided where the stripes on the spine would go and carefully measured and marked the lines across all the books so they would be the same.
The top stripe was painted red and the bottom black.
Then we painted over the whole things with a thin brown glaze to give all the color some depth and some shine. We used gold paint pens to add some detail stripes and squiggled in some fake writing for the titles.
This was our first sample book. After finishing the spine, I still felt like the book looked very fake, so I painted the red cover a more muted green. It helped, but not enough. I realized the the biggest problem was my fake squiggled "writing."
I needed a fine print, something that looked like it had been done by a machine instead of by hand (but without buying an expensive machine). The solution we came to was stamps.
We purchased a pad of gold stamp ink to experiment with and found that it didn't read very well. We had much more lucking using a gold leaf paint pen, drawing onto the stamp and then pressing it down on the book.
Here are the first set of books after the first stamp.
and completed with stamps on both stripes
For the second set of books I varied up the stripes a bit.
And added stamps in four places on the spines.
From any distance the words are impossible to decipher, but I love that our polite books all say "Thank You" in the bottom stripe of the spine.
Friday, August 15, 2014
This quick little covered book was for the character of Cecily in The Importance of Being Earnest at Oak Park Festival. I started with a small amount of brocade fabric, a $5 "leather" journal from Staples and some decorative scrapbook paper.
I covered the book with spray adhesive,
and then carefully pressed the fabric down onto it. When doing this be sure to start on one edge and then slowly work your way across to avoid trapping any wrinkles. Also notice that the fabric piece I cut is much larger than the book. It is always better to be generous with this. Extra can be cut off if needed, it is very hard to add more fabric if there isn't enough.
I trimmed the fabric on the corners and the seams so that they would fold over neatly.
Then sprayed a bit more spray adhesive inside the cover and folded the fabric over onto the glue.
Finally I cut two pieces from the scrapbook paper the height of the book.
I sprayed them and then wrapped them around the edge of the journal to give it a look much more in line with the period books I found in my research (when in doubt in a Victorian play, add more detail).
And here is the final book. Cute and it matched nicely with Cecily's dress.
Thursday, August 14, 2014
One of the board members at Oak Park Festival Theatre sent me an email the other day asking me if I could answer some questions so that she could write a bit about me for their company newsletter.
Here's the article she wrote with my answers-
Here's the article she wrote with my answers-
Wednesday, August 13, 2014
Last week the stage manager for Butler at Peninsula Players Theatre asked me after rehearsal, "Greg wants to know if the General would be using a dip pen or a fountain pen." I started to answer and then realized, I had no idea. I told him I would do some research and then get back to them for rehearsal the next day.
In my research I discovered that the fountain pens that we know of today were patented in the 1880s, about 20 years after our play took place. Prior to that though, many companies were creating their own versions of something similar. Designs hadn't been perfected yet and could sometimes be leaky, or write a bit inconsistently, but people were using them. Based on this information I told stage management that the actor was free to make the choice himself.
He decided he would like to have a fountain pen, and then I set to work finding out what that would look like. As it turns out, examples of such pens are very hard to find. I ended up seeing three that all seemed to have this basic design. The body and the nib of the pen were very similar to a recognizable fountain pen (the first image has the nib removed). Then they have the long retracting plunger. It looks to me like this pen would be placed in a pot of ink, and then the plunger would be pulled back to draw the ink up into the reservoir.
I was excited about my new knowledge of period pens, but at a bit of a loss for how to make one (purchasing is not an option, the one pictured above is on sale on ebay for $2200)
When scouting around for materials I came across these cheap aluminum knitting needles. I was able to buy several sets in different sizes so I could experiment with one fitting snugly inside another. After cutting a few apart, I discovered this purple and gold combination was the best.
I cut the needles to the length I needed, leaving the end on the purple one.
I wrapped the end of the purple needle with just a bit of tape to ensure a snug fit.
We wanted to make sure that our pen was still functional, so I took apart this cheap ballpoint pen to use the ink.
And slid it into the center of the tubes. These photos are from the second pen I made. When I made the first one I had to experiment a bit with the length of the tubes so that inner purple tube didn't get caught on the ink after it was pulled out.
I simply wrapped the tape around the pen base to form a fairly convincing nib.
I then filled in the nib with hot glue, to make the nib more sturdy and to hold the ball-point ink in place.
Then used strips of the same gold contact paper to add these three stripes.
Here are the two finished pens, and below is the research image. Not very far off, and from a distance, rather convincing.
Saturday, August 9, 2014
For The Importance of Being Earnest at Oak Park Festival Theatre, I was lucky that these bread and butter sandwiches didn't need to be consumed, so I could save time and money by making fake ones.
I started with a scrap piece of upholstery foam I had left from a previous project.
I cut it into small rectangles, around 1 1/4" wide and 4" long
I then cut them in half width-wise by carefully wedging each piece between my scissors before cutting down.
I used some leftover liquid latex in between the two halves
The put the pieces back together for a nice little bread and butter tea sandwich.
Unfortunately I forgot to get a photo of all the tea sandwiches stacked daintily on the tray with the tea service, but trust me, it was lovely, and very convincing.